Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A.
The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses. Picture House One is sharp and crisp, Picture House Two has a slightly ‘Out of Focus’ look to it. Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Once dominated the printing industry, the typeface is now in the hands of public domain due to the defunct of ATF decade ago & lacking of active descendants.ĭownload MB Picture House by M-B Creative Contextual swashes are also applied to some characters when placed at the beginning or end of a word.Įnigton is a revival monogram typeface based on virkotype combination monograms issued by the American Type Founders in 1920’s. These distinct ligatures are used in combinations between two capital letters, two lowercase letters, uppercase to lowercase pairs and specific number combinations.įor a number of capital and lowercase letters, large swashes expand above and below the characters. Gin is a vintage display typeface was inspired by the likes of old serifs and classic bottles of whiskey and gin.īaker Street delivers a multitude of Opentype features, primarily including hundreds of discretionary ligatures that connect letter pairs through varying flourishes. This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful. Morning Glory inspired from Victorian age, take a culture of fashions, politic and art its really great font for your band, company, label, clothing company, vintage or classic stuff, etc. These fonts show that when it comes to creating impact in design, the words do have it as well. These fonts disprove the belief that written content is not exactly part of the design team’s problem. Look at how well they work with your design ideas and see how big if a difference they can make on your overall design. Beautiful Vintage Fontsīelow are 35 beautiful vintage fonts that you can use for your design. Everything else behind and around it may look vintage, but applying a modern font on top of it all could ruin the daydream for most of them. This is how huge the impact of your font choice is. You want them walking around when skyscrapers barely reached half of the tallest buildings today. You want them remembering milk shakes and burgers at the diner with all those roller skating waitresses moving around in time with the boogie music. You want your audiences reading the text on your design as if they were back in the Old West, waiting for the next carriage to come along. It has to be about the design as a whole, with each small element having that vintage touch. It’s not just about the use of old photos and neutral colors.
Well, vintage design is not just about faded images and rough textures. What does your font choice have to do with anything? It is this kind of inspiration that is seen when you use different vintage fonts, showing you that the forefathers of design definitely knew what they were doing. It is this definition of vintage that has inspired so many designers all over the world, allowing them to make the most out of what the earliest designers created. People hear the word ‘vintage’ and they see something classical, something that’s handpicked and considered superior, something that has been tested through time, something that will never go out of style.
Mention vintage nowadays and a different impression comes to mind. Otherwise, vintage designs would never have received the kind of attention that it deserves. It’s a good thing that design trends evolve through time. People were in such a rush to move into the future that anything related to the past was considered as a hands-off zone. You mention vintage in any crowd and they think old, tired, and uninspiring.